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mtnwriter77.wordpress.com: The Journey Begins for “Journey”: I bit the bullet and started searching for an agent for Sentimental Journey. H… http://wp.me/pULmQ-2R

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The Journey Begins for “Journey”

I bit the bullet and started searching for an agent for Sentimental Journey.

Having done all my research previously and compiled an optimistic twenty selections to start with, I sent the first one out yesterday. And ten hours later received my first rejection. It “does not seem right for our list,” said the message from the agent’s assistant. I really had done my homework, and thought it was similar to other books they’ve represented. But what do I know? Here we go again.

So this morning I sent email queries to the next five agents on my list, varying contents from just the letter, to five pages, synopsis for two, and one requesting synopsis plus 3 chapters, depending on what their website specified.

Time will tell how long before I collect additional rejections. No, scratch that – too negative. As Liza Minelli sings, “Maybe this time, I’ll be lucky….”

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When To Submit Your Novel to an Agent?

I’m constantly looking for ways to improve the odds for finding representation for my next book, currently titled Sentimental Journey. Having taken dozens of courses and webinars, I’m working now on moving from “good writing” to “I have to have that book!” And I’m finding that this step is to ordinary writing courses what microsurgery is to applying a Band-Aid. It’s working on the finer points of your writing as opposed to just telling the story. It’s elevating good writing to “can’t put it down” writing. It requires an understanding and skill at a level far removed from the basics.

I’ve been through Sentimental Journey at least five times now, and had feedback from three early readers and one partial and one full professional edit. I’ve added, changed and deleted something on every single page at least once during those reviews. I’ve applied, to the best of my ability/understanding, the principles in Donald Maass’s Writing the Breakout Novel Workbook. I’ve had several “aha” moments reading numerous agent blogs and gone back to make additional changes. How do I know when it’s ready to go?

The competition for a good agent and publisher is so keen. Once the book gets a rejection from one, I can’t rewrite and try again with them. It has to be right the first time. How do you know when it’s “right?”

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HOW LOW CAN YOU GO?

What are you willing to give up to free up the time to chase your dreams? And are the significant others in your life who would be affected willing to give up as much?

That’s the dilemma I’m facing at the moment. I do believe, as I’ve indicated in past posts, that the universe gives you what you need – to learn, to grow, to stretch yourself. So when I received a notice that my job was targeted in the layoffs in New York State, my first thought was “holy cow – I’ll have time to do what I want to do now! To finish my second book, to pursue life as a full time writer, not one who has to squeeze it in around job and commute time” (totally roughly 12 hours per day when I don’t have to travel for work).

But I’m also a realist. I have fixed expenses, and an unemployment check isn’t going to cover all of them.

I have options in this. I can use my seniority to bump someone with less seniority and take a job that is less enjoyable and less convenient – in other words, make my life more complicated, not less, less enjoyable, not more. OR I can figure out how low I can go in my expenses – determine what can I eliminate, what am I willing to sacrifice. How much will I save by not commuting nearly one and a half hours twice a day (by car – so I can’t do other stuff during the commute)? In gas, in wear and tear on the car? In the cost of parking? I need to itemize all of the ways I would save just by not working.

And then confront those bills that come in monthly. What am I willing to delete? Satellite TV? Netflix? High speed on-line service ( nope – need that for all the social media requirements of the writing life).

Have you had the need or choice to file your living expenses down to the nubs? What went and what stayed?

What are you willing to give up to pursue your dreams? I really want to know!

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The Many Faces of Loss and Grief

Autumn Colors is more than a novel. It’s a study of loss, and how people deal with loss.

Loss is universal, regardless of age or life condition.

There’s Kerry, the main character, whose whole life seems to be about losses and how they blind her to the bright spots, the treasures of her life.

There’s Tom, who so dreads the possibility of Kerry leaving him that he cuts off their relationship to avoid that pain.

There’s Charles, who deals with Kerry’s distance and his fading hopes for their life together by first going on automatic – living like everything is normal and fine, while feeding an internal flame of anger that eventually explodes. When he leaves Kerry, she’s stunned – her own distance caused her to miss his very subtle clues.

There are also the less prominent losses – Beth’s sterile existence without the relationship she so desires. And of course, Hilary’s stoic loss of George.

A good cry is cleansing and exhausting and ultimately exhilarating. Autumn Colors is a multi-tissue read.

People deal with loss in their own way. Some people launch crusades in response to losing someone – like against drunk drivers, or war, or an illness that took their loved one. Some try to bury their grief or deny their suffering, which often prevents them from moving on. Some find ways to memorialize a lost loved one. In a sense, that’s what I did with Autumn Colors. While I moved on to marry a wonderful man and have a happy life, I always wanted to create some kind of tribute to the young man I lost so many years ago. That experience of loss provided the seed for this fictional story that grew and evolved around it.

Loss is universal, and it isn’t always about someone dying. It can include the premature loss of childhood innocence – a child tries to keep a household going with an alcoholic parent who can’t manage; children of poverty who grow up in an atmosphere of hopelessness. There’s the child of a parent who’s incapable of showing the child he/she matters. How about the loss of a dream when a talented athlete’s injury sidelines him? Or a house full of memories going up in smoke or washed away in a flood? Divorce is right up in there, too. As is the demise of a career when a long-time employer goes belly-up – double the loss when the company’s demise takes the pension fund with it. There’s loss of health, or a significant disability. The list goes on and on.

How you handle losses can impact both your mental and physical health. How have you dealt with a loss or losses in your life?

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MEMOIR OR FICTION?

I’ve been meeting with book clubs and doing signings since the release of Autumn Colors. A question that comes up repeatedly when I tell groups that the story is based on a real life experience is “why did you not write it as a memoir?” Memoirs are very big sellers these days!

I did consider that when I started writing the book. But it wasn’t long before I decided against a memoir for a few reasons. The first – at the risk of sounding boring and unexciting – is that most of my real life is, well, boring and unexciting. And I like it that way. It’s not that I don’t keep busy and love my life and the people in it. It’s just that it wouldn’t hold a stranger’s attention for long. The drama and conflict needed to hold a reader through 300 or so pages hasn’t been a part of my life. Most people’s lives, for that matter, don’t have enough day to day conflict, tension and suspense – not to mention larger than life characters – to make great reading. I’m a bit in awe of the authors of some of the better-written memoirs on the bookstore shelves, because either they’ve had much more interesting lives than I, or they have greater talent for turning the ordinary into anything but.

Another reason I chose the fiction route is that I value my privacy. It’s one thing to include a tragic and momentous experience as a seed of a story. It’s quite another to lay bare your entire life, warts and all, in the pursuit of entertaining (hopefully) hundreds of thousands (or more) of readers. It would, for me, be sort of like joining a nudists group and revealing cellulite, scars, and other bodily imperfections. I’m not comfortable with that level of exposure.

And last – and perhaps most important – I want to gain recognition as a fiction writer. Perhaps writing a memoir first wouldn’t rule that out, but I chose to take this road.

So Autumn Colors is a work of fiction. I hope you read it and enjoy it! (Available on Amazon – Kindle, hard and soft cover).

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THERE’S NO DEADLINE ON GRIEF

I’ve been talking with a dear friend recently about “getting over” and “moving on” from the loss of a loved one. Specifically, we discussed the expectations of others on how long it’s reasonable to grieve.

Let me start by saying I’m not a professional in the field of loss and grief. But I do have direct experience, and I think that counts for at least as much as a PhD when it comes to knowing what’s in someone’s brain, heart and guts after someone you loved has died.

She and I had the same experience when a shared loved one died. We both received the message from people around us that we should be moving on. That we were dragging out our grief and wallowing in it. (Not that anyone said it exactly that way). And that we were young and needed to get on with our lives. And we both did our best to comply with those expectations, at least on the outside. Only we didn’t talk about it at the time. So it looked to me like she was moving on just fine, which perhaps made me feel a little guilty that I still felt so miserable. And she was a bit peeved that I was, apparently, fully recovered – like that’s ever possible when your future is snatched away from you by fate.

Meanwhile, we both felt alone in the morass of grief that we couldn’t seem to escape, no matter what we looked like on the outside. A wise woman once said to me “don’t judge your inside by someone else’s outside.” How true that was in this case.

People are uncomfortable when confronted with someone’s raw grief. And as time goes on, they are impatient. Such people have either never experienced the life-changing loss of someone important in their lives or they are not in touch with their feelings if they have. Because there is no timeframe after which you “should” be over your loss. Many people never fully get over it. They carve out a new life without that person, but there’s a hole in their hearts where that person once was.

I’m almost forty years past the loss of the young man who was the seed of my novel, Autumn Colors. But I can still be brought to tears by memories or music. I still consider the “what ifs” of what my life would have been like if he hadn’t died. I relive the gut-wrenching pain and disbelief I experienced when I learned of his death any time I think back to that day. I was so ashamed by my own tears back then. And in reality, I would have done myself (and those who shared the loss) a favor by letting them flow freely.

I guess I’m trying to convey a message about dealing with your own grief. Don’t let others tell you when it’s time to stop feeling sad and time to move on. Talk to others affected by the loss (or a similar loss). They may look like they’re coping better than you, but they may just be trying, like you, to meet the expectations of the people around them. Admitting how hard it is for you may free them to share what they’re going through. You can help each other.

Recognize that such a loss becomes a part of you forever and will shape your future to some extent, and don’t feel guilty or embarrassed by that. Don’t let other people tell you how you should feel. If you’ve recently lost someone – a spouse or fiancé, sibling, child, parent – give yourself permission to grieve now. Write out your feelings. Create a scrapbook and/or photo album of your relationship. Immerse yourself in ways you can hold on to that person forever, while allowing space to create a new life when you are ready.

And forty years from now when you still miss him or her, send this message to others who may have been told that there’s a deadline on grieving.

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Why Self-Published Books “Get No Respect”

Well, for starters, some of them are just plain awful.

Although many writers have good stories to tell, they often make two errors:
1) they don’t hone their writing skills through courses, conferences and reading; and
2) they fail to recognize the importance of editing – both critical editing and copyediting. Some don’t even use their software’s spell and grammar checks.

You can be the most creative person you know, but no one can be as objective about their own writing as needed. You need an objective third party (usually not family or friend) to edit your work for you. I’m not saying you need to rewrite the story line (unless your chosen editor tells you the current one doesn’t make sense). I mean smooth the rough edges of how your story is told, make sure your grammar, sentence structure and punctuation is correct, and that your spelling is accurate. Make sure you’ve used words like insure, ensure, assure and the like correctly.

You still may not have a breakout novel. But at least it will be written cleanly and won’t have glaring errors that jar the reader and give critics another reason to say self-published novels are self-published because they weren’t good enough for traditional publishing.

My first novel, Autumn Colors, was published originally by a traditional publisher. When it went out of print, I self-published it. But I was grateful that through the traditional publishing process the book went through multiple rounds of editing, making the writing as clean as it could be. Even with all those edits, one glaring error slipped through – a place where the original first person writing wasn’t changed to third person when the rest of the book was. Still, while I pride myself on being a “good writer”, the editing showed me that even good writers rarely write perfectly. Do yourself and your writing rep a favor and get your work edited before you publish it.

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HIV and AIDS – Still Thriving After All These Years

I’m often asked what motivated me to include Hilary and George, a young married couple with AIDS, in the mix of characters in my novel, Autumn Colors. It wasn’t something I planned at the outset of the story. But it evolved naturally from their abrupt and unexplained break-up early in the book. What, when they seemed so head-over-heels in love one minute, would cause George to suddenly and mysteriously run the other direction in the next minute? Sure, he could have been attracted to another woman. Because of the decent person he was, his guilt may have caused him to distance himself from Hilary at that point. But we get the sense from Hilary that there’s something more to it than that, something so “shameful” that he couldn’t share it with her. What could have been so taboo in the mid-seventies – era of “free love” and condoned promiscuity – that made him too ashamed or embarrassed to own up to it with his soul mate?

How about discovering that he was attracted to men?

And who, other than generous, tolerant and forgiving Hilary, would have agreed to marry him anyway and tell no one, even Kerry, her secret? (Of course, no one knew of the HIV/AIDS risk back in the seventies).

My full time day job is with the AIDS Institute at the NYS Dept. of Health. In spite of the dollars thrown at prevention and education, the number of new HIV infections annually has been stable over time. In fact, new infections among men having sex with men (MSM) have been increasing since the early 1990’s. Over half of new infections occur in MSM, and 31% of new infections result from heterosexual encounters. Women account for 27% of new infections nationwide.

So just because you’re not a gay or bisexual man doesn’t mean you’re not at risk for HIV (and other STDs) with unprotected sex.

With the advent in the nineties of highly active antiretroviral treatments (HAART) for HIV and the resulting drop in the death rate, AIDS is not an automatic death sentence. Have people become complacent?

But it still destroys lives. It still can kill. And long term treatment may predispose you to other serious, chronic illnesses. And none of it is necessary because prevention is so easy.

Living with this reality daily in my job was the reason I included the tragedy of Hilary and George in Autumn Colors. Back in the early eighties there wasn’t much that could be done to stop AIDS. Now there is. But I wanted to remind readers that AIDS hasn’t gone away and still has significant life-changing potential, if not always life-ending. It’s up to the individual to take the precautions needed to protect the quality and length of your life.

Quick HIV Facts Nationally:
Newly infected persons in 2006 – 56,300
New AIDS diagnoses in 2009 (advanced stage of HIV infection) – 34,993
More than 18,000 people with AIDS die in the US annually.

For more data, visit the CDC or NYS Dept of Health websites.

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