Keep Writing to Get Better?

If you just keep writing, will you get better? This is the topic of a recent post by Jane Friedman (https://janefriedman.com/practice/), drawing from the informative book, Peak, by Anders Ericsson and Robert Pool.

Peak

The reality is that you need the right kind of training to improve. Doing the same thing over and over in the same way will not yield change in the form of improvement.

Ms. Friedman explains the salient points of the book. If it enlightens and intrigues you as much as it did me, you might also want to head on over to Amazon for this excellent resource!

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The Long Road to a Finished Novel

I’ve posted a few times about the completion of the first draft of my third novel, currently titled Gram & Me. I had high hopes of editing and polishing and maybe even securing an agent by this summer. Many revisions later, I continued to receive “no thank-you” from agent after agent, some with brief notes about why it didn’t work for them, others strictly form replies. I’ve had the novel professionally edited and critiqued by numerous people along the way. So many say “your writing is strong, but….” The “but” part differs from one commenter to another. I planned to just bite the bullet and self-publish by this time, but how would that get me any closer to what a novel needs to appeal to the traditional publishing world (whose gatekeepers are agents)? I’m always in such a hurry to move to the next step. And it’s hard to keep responding “not yet” to the questions of friends and family about when the book will be out when none of them really understands the challenges of the publishing world.

So I’m faced with a couple of choices. I could just go ahead and self-publish. The book would be out by fall, in plenty of time to promote heavily for the holidays. I’m proud of the story and my writing. I’ve had a lot of positive feedback from early readers. But…. How long should I continue, book after book, pursuing the Holy Grail of publishing through a major publisher? So many writer acquaintances remind me that you lose a lot of control when you let a major publisher take control of your book – AND, with the rare exception of a breakthrough novel that hits the bestseller lists, there’s actually better potential to make money through self-publishing, if making money is the goal.

So, should I pursue the path of least resistance? Just publish the damn book and move on? Or do I forge on, pursuing the shortcomings of Gram & Me and the changes that would make it more appealing to agents, knowing that probably means many more dollars spent on detailed critiques and many more hours/days/weeks/months spent rewriting until the novel begins to win praise and the coveted “yes” from agents and publishers? Do I walk away from my writing dreams and pursue other goals in my remaining years, knowing this “failure” will follow me every step of the way, and that “giving up” will haunt me with what-ifs until eternity?

I already knew when I started this post that I wasn’t ready to give up on Gram & Me yet. Part of the reason for that was the hope I read into the cover note of a new critique. The critique arrived when I was on vacation, and I was unable to open the document with the details. But the cover note started out with “I’ve finished going through your pages and gave you a lot of comments. I really like much of your writing, and I feel you have some good components here that could be worked into a strong story.” That might not sound like high praise. But you need to know that it comes from the same reviewer who basically told me to trash my last novel in January of 2015. So understand that she doesn’t sugarcoat her comments. If she believed this novel has potential, that’s high praise in my book! Vacation ends today, and I can print out and study her comments and try on her recommendations. In the big picture, what makes more sense: self-publishing another book into oblivion, or knowing that – win or lose – I gave it every possible chance to succeed (given my definition of success)?

What would you do?

Posted in Best Sellers, Blogs, Book Reviews, Books, critiques, Editing, Goals, Manuscripts, Novel construction, Publishing, Self Publishing, Writing | Tagged , , , , , , , , , , , , , | 3 Comments

Showing Emotion in Your Characters

I have been complimented frequently on the emotional intensity of the characters and story lines in my novels. But after reading a blog post by C.S. Lakin, complete with examples of good and better ways to draw the reader into the experience of the emotion, I admitted I still had a lot to learn. Check it out – I think you may be surprised: http://www.livewritethrive.com/2015/06/24/how-fiction-writers-can-show-emotions-in-their-characters-in-effective-ways/.

 

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23 Tips from Famous Writers for New and Emerging Authors

FROM THE “A NOT SO JADED LIFE” BLOG:

“I have advice for people who want to write. I don’t care whether they’re 5 or 500. There are three things that are important: First, if you want to write, you need to keep an honest, unpublishable…

Source: 23 Tips from Famous Writers for New and Emerging Authors

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INSPIRATION STREET: A STORY YOU SHOULDN’T MISS!

Occasionally, I’m inspired enough by a book to feel compelled to share it. I don’t often read non-fiction, but when I do and am drawn in as I was with this one, I wonder why I don’t stray from fiction more often.

Inspiration St Cover

Inspiration Street, by Darrell Laurant, is a beautiful tapestry of the interconnecting lives and experiences that intersected on two blocks of Pierce Street in Lynchburg, VA. I was hooked from early on, and didn’t want to stop reading when it ended.

The narrative surpasses the local nature of two city blocks. The stories of individuals and their accomplishments, most of whom prevailed over multiple and significant obstacles, from the impacts of slavery through segregation and beyond, have implications for the broader American and African-American social history. As a still white-focused American society (ironically, given the rapidly changing demographics), the contributions of all but the most famous African-Americans are little known. (Many of those who were well known, by the way, visited Pierce Street, some multiple times.) The direct connections of most of the residents of Pierce Street with former slaves or first-generation descendants of slaves revealed a strength and determination of those residents to rise above, to utilize and maximize their talents and skills for the continued advancement of a population previously (and frighteningly) treated by much of the old south as unworthy of humane treatment, let alone capable of great accomplishments. In contrast, their humanness and their humanity shone through, along with their amazing intellect and talents.

It is a fascinating story—of artists and educators, athletes and professionals, of their connections with such luminaries ranging from U.S. Supreme Court justice Thurgood Marshall and Jackie Robinson to Duke Ellington and Maya Angelou, and many others, including Rev. Martin Luther King Jr. One of the residents, Anne Spencer, in addition to winning accolades for her poetry, opened her home on Pierce Street to many of the leading lights of the Harlem Renaissance.

Inspiration Street is a gem of a story that draws you into the lives and world of these two blocks of Pierce Street in the first half of the twentieth century and beyond to its present day resurgence and recognition of its broader place in history.

After reading Inspiration Street, you won’t soon forget the people or the Pierce Street. You may even want to visit there some day.

Darrell Laurant, author of Inspiration Street, also is responsible for the blog, Snowflakes Arise, helping authors gain recognition. You might want to check that out, too!

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Literary Potholes in the Road

Potholes

It has been nearly two months since my search for an agent or publisher began for Gram & Me. I have received 22 rejections, most of which were in response to a query letter only, or a query letter plus synopsis. Since the rejections say nothing about the quality of my novel, I’m left (once again) with the baffling question: what makes a query letter work, and/or what do agents really want in a synopsis? How can I present the story line in a way that excites the agent enough to ask for more?

I’ve taken more webinars and on-line courses than I can count, and had individual critiques of both my query letter (which has been revised in response) and my synopsis. And still I can’t get a foot in the door.

Well, that’s not completely true. I did receive one request for the manuscript about six weeks ago. I do understand that manuscript reviews take way more time than query letters. I’d like to hold out hope that this request would be the magic one. I admit to being low on the hope scale, although it’s not over until it’s over, right?

But for those rejections based on the query letter and/or synopsis, just whose advice is right? Each time I revised the letter in response to a webinar and/or critique, I felt (temporarily) confident that at least I’d get a partial reading from it. Not so, so far.

And that dreaded synopsis! One “expert” says just tell the main points of the story without trying to make it a literary masterpiece. Another expert says your synopsis should ooze emotions and feelings.

Who to believe?

Since I’ve received close to fifty percent of the verdicts on my first wave of queries, and at least a third of agent websites said they don’t respond unless they are interested, I probably should assume I’ve heard all I’m going to hear (except for that outstanding manuscript).

So what next? Should I patch the potholes in my literary ego and move on to query list Diamonds in Coalnumber two? I recall that the author of some massive bestseller (was it Harry Potter or Fifty Shades of Grey? I’ve lost track of all the stories intended to bolster the hopes of aspiring novelists.) received in excess of sixty rejections before some agent or publisher recognized the diamond emerging from the coal.

Or should I move on to other items on my life bucket list?

I guess the fact that I’ve already created that list number two is my answer. This time. If I move through that list and hit the same potholes or new ones, I’ll have to re-assess the road-worthiness of my literary chassis at that point and decide whether it has the strength to go any farther down the bumpy road.

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WHAT GENRE IS IT?

Yes, I know it’s not my usual day for posting. But I have a busy week ahead, and a poor track record for posting in the midst of competing demands.

Did I really miss posting last week? Yes. But I plead guilty by reason of vacation.

BurglarI’m a firm believer in not announcing vacations in advance to the social media world. There are, unfortunately, too many not-so-nice people out there who would gladly take advantage of knowing a home is vacant. It’s not that I have a lot of valuables. I just don’t like anyone messing with my stuff. So I didn’t let cyberspace know I’d be away, and now I’m back. Take that, you would-be burglars!

But now it is a new week. I’ve collected two additional rejections and one comment that my book is not the genre I’ve said it is.

So here’s my question of the week. If you read the following description of a novel, to what genre would you assign it: romance, general fiction, commercial fiction, women’s fiction, literary, or YA?

Here’s an excerpt from my basic query:

“In Gram & Me, an 89,000-word (Type of Fiction), precocious eight-year-old Sarah overhears her beloved Gram and Gramps describing their idyllic retirement plans, filled with travel and devoid of all responsibilities. So when she is the sole survivor in a car crash that kills her parents and baby brother, her determination to heal is exceeded only by her obsession with making sure her grandparents’ plans aren’t shattered by being stuck with her.

Gram & Me unfolds through the points of view of both Sarah and Gram (aka Marian). Gram and MeAlthough very bright, Sarah’s actions suffer from the limitations of her immaturity, sometimes endangering her, always confounding the grandparents who love her. Meanwhile, Marian struggles to balance her resentments of aging and foiled plans with her genuine love for her only grandchild. As an admirer of novels by Catherine Ryan Hyde, Anne Tyler, and Nicholas Sparks, I aspire to emulate their skill with having flawed characters tell their complicated and deeply emotional stories.”

I’m looking forward to your assessments!

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“BEST-SELLING AUTHOR KUNSTLER PASSES THE HAT”

That was the title of a featured story in this morning’s Times Union (Albany, NY).

If a best-selling author, with multiple appearances on “The Colbert Report,” documentary films and a wildly successful blog-not to mention 18 fiction and nonfiction books to his credit and another due out on July 5-can’t survive financially on his writing, what are the odds for the rest of us?

I have been thinking about this issue a lot, long before the article appeared. Fortunately, I don’t need money from my books to survive-I’m retired, with Social Security and a modest pension. But self-publishing costs an author a bundle. If a self-published book doesn’t make at least enough money to cover those costs, let alone make a profit, that is money spent that could be used in other ways–house upgrades, nice vacations, etc. The first couple of years, you can claim a loss on your taxes, so it isn’t so painful. But eventually that avenue dries up.

And the time spent on writing books, posting blogs, managing a website, staying active on social media – that time could be used in so many other satisfying ways that don’t dead-end in the disappointing collection of agent and publisher rejections. It’s long past time for me to choose doing things with my husband and dog and family and friends over writing-related activities that go nowhere.

After I finished Gram & Me and had it edited, I began the query process – primarily agents, but also a few small publishers. I sent queries to 52 agents and three publishers. I’ve already received 18 agent rejections and 1 publisher rejection. Many of websites of the remaining agents say they don’t reply if they aren’t interested, so who knows how many additional response I’ll receive? I did receive one manuscript request, but the odds still are against me. I’ve been down this road with three previous books.

I’m not trying to discourage budding writers. I’m simply being realistic about my own chances, at age 66, and questioning if I might prefer doing all those things I have been putting off in hopes of making it as a traditionally published writer.

My internal jury still is out. And I wouldn’t throw in the towel before I’d heard from every last agent and publisher (or enough time passed that I’d assume silent rejection). And I’d probably keep up my writing on some level. But maybe just for my own personal satisfaction.

Surprisingly, this doesn’t make me as sad as I would have expected (or would have been maybe five years ago). Maybe I’d be a little relieved if I actually stopped pursuing publication.

Life is full of disappointments. As life goes, and in the bigger picture, this is not a tragedy.

But I’m letting the idea gel a bit before I commit one way or the other. I have, after all, always felt like a writer.

 

 

 

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WHAT IS “ALONE?”

I have stretches of time when I am unsociable.

Around the house

Well, that’s not accurate. On those days, I don’t lie around watching TV, eating junk food, Maxine-lazyand ignoring the phone when it rings. Usually on my alone days I’m writing my latest novel or a blog post, developing queries for Gram & Me, working or playing on social media, updating my website. “Alone” isn’t synonymous with idle, and it’s not truly antisocial.

Guy nearbyMy husband and dog are there, needing at least a small ration of my time and attention.

It’s more like a stretch of time when I can produce without also having to get out of my head for long periods.

 

This past week we had three very full social days in a row. I enjoyed them immensely. But Hectic Pace of Lifeby day four I couldn’t wait to retreat into myself.

Does that make me antisocial?

Some of my former work colleagues used to think so. I would interact with people all day on a professional level, but when they wanted to socialize after work, I rarely joined in.

 

EscapeLiken me to a machine that needs to be plugged into a charger and go into sleep mode in order to be ready to function the next day.

 

I love the comfort and familiar surroundings of my own home. It’s not agoraphobia. I also enjoy being out, seeing new sights and being with friends and family—but in smaller doses.

Some people can’t stand to be alone. I thrive on it. It’s not narcissism or vanity. I’m not “me” focused when I’m home and alone or in the quiet presence of my spouse and dog. I’m just more comfortable.

I had a conversation with an old friend a while back, during which we assessed former highNormal school acquaintances as to where they were “on the spectrum” back in the day when that wasn’t identified. It started me thinking. Maybe, had I been born thirty years later, I would have been assessed the same way. This preference for being alone, but willingness to participate socially on a limited basis, has always been with me.

One of my other high school friends declared me “stoic.” Apparently, I don’t emote Shoulder to cry onspontaneously or frequently enough. It doesn’t mean I don’t feel—powerfully and deeply—but rather that feelings get stuck inside me and resist release. It’s another aspect of me that I’ve always known but never labeled and was not motivated to change even if that were possible.

Alone is lonely for some people. It’s an emptiness. A disconnection. Sad and painful.

Heart

 

But it’s an individual thing.

Alone also can be productive. It can be regenerating. It can be comfortable, relaxing, enjoyable, even invigorating.

 

 

 

That’s what alone is for me.

Attitude

 

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Excerpt from AUTUMN COLORS

Autumn Colors was my first published novel. I don’t talk about my own books often enough, or so I’m told. Generally speaking, I don’t like to repeat myself a lot. But I’m working on a submission for the Snowflakes In A Blizzard blog site, and I became a bit nostalgic about the writing of this book. It received a number of very positive reviews:

“This talented author knows how to evoke emotion, so much so that delving into her work hurts…Autumn Colors is an enlightening, though often aching reflection on young love brought to a catastrophic end and a poignant description of spiritual healing. Expect more from this gifted writer.”  Rated: Four Stars (out of five) by Julia Ann Carpenter, Foreword Clarion Review

“…The author does an excellent job of steering us through the emotional highs and lows of Kerry’s life and leaves us grateful when she finally realizes happiness was in front of her nose all the time…” Rated: Four Hearts (out of five), Bob Spear, Publisher and Chief Reviewer, Heartland Reviews

 “…Lajeunesse tells the story via individual vignettes, and these snapshots make the book a compelling read. While Kerry might not be the most accessible individual, her friends are worth getting to know. This is a solid portrait of a middle-class baby boomer in turmoil. The men in Kerry’s life try to break down her barriers, a journey which can be trying for readers but is ultimately worth experiencing.” Kirkus Reviews

“Autumn Colors is a marvelous time machine of a novel that moves elegantly back and forth from one decade to another, vividly evoking past and present—people and places—reminding us ultimately that although the past is always with us, it doesn’t have to rule us.” Mark Spencer, author of LOVE AND RERUNS IN ADAMS COUNTY and THE WEARY MOTEL

AC_chosen1

Autumn Colors can be purchased on Amazon or Barnes and Noble, or it can be ordered through your favorite bookstore.

 

 

Here’s one of my favorite chapters:

Chapter Ten

May 1975 

“What’s it really like to be in love, Hilary?”

They were at the campus coffee house, taking a much needed break from studying for finals. Tables had been brought outside under an awning, like a sidewalk café in Paris. They were surrounded by the sights and smells of spring, including her favorite, the hot-fudge tease of the cocoa mulch. She would miss this.

She should have been happy. She was on schedule to graduate in less than two weeks. The paper had offered her a job as a reporter for the Lifestyles section. Her parents told her they’d help with a deposit on a car. Her life beckoned.

But she was miserable. She was stressed by the coming exams. She was saddened to leave there – which seemed ironic, considering she had rushed to escape after her freshman year. Hilary had helped her turn that corner. She would miss her friend tremendously. She hoped Hilary followed through on her plan to move to New York City. It was a much easier place to visit than the hills of Kentucky.

And she couldn’t let go of what had happened with Tom. She wondered if she’d run into him at home. She hoped she wouldn’t and prayed she would. But what would be the point?

“Being in love,” Hilary responded, “is feeling like you and Tom feel about each other when you’re not being complete asses.”

“Don’t sugar-coat it, Hilary. Tell me what you really feel.” God, she would miss this woman. She had never known anyone who could be so completely honest and so completely likeable. There wasn’t an artificial bone in her body.

Hilary and George had seen each other a few times since January. It was different somehow, Hilary insisted. They still had some laughs. Occasionally they slept together. But there was an invisible barrier between their psyches that hadn’t been there originally. She had never learned what it was last summer that changed him.

“Did your relationship with George change when you began sleeping together?”

“I thought it brought us closer together. Now I’m not so sure. Or maybe the glow wore off.”

“What do you mean?”

She searched the horizon for her response.

“The first time we did it, it all happened so fast. I mean—I suppose I shouldn’t be telling tales out of school—but what’s the difference at this point? I mean he was fast. So fast that we had to go a second round before we did it.” Hillary looked at her sideways. “Do you know what I mean?”

“No, I want you to spell it out for me, Hil,” she teased.

Her roommate shook her head and smiled.

“I thought, wow, he’s really hot for me. When we finally did it, though, it took forever. I mean, women all over the world complain about the wham-bam-thank-you-maam syndrome. It was the opposite with George. I was so horny that first time, I was popping off one orgasm after another for a while. I was drained and satisfied. But he kept going. Hadn’t made it to the top yet. And kept going. I was getting dry and sore. And he kept going. When he finally came, I was so grateful, I let out a little shriek. He of course, being a man, thought I’d had yet another orgasm, and he was just as proud as a man can be. I don’t mean to make fun of him. I really do love him. I just mean that in the sex department things weren’t all that great right from the beginning. But we had fun together. And until last summer, we could be relaxed and comfortable with each other. I feel sometimes now like I’m getting to know an entirely different man.” Hilary lifted her cup to her. “I’m getting another – want one?”

“Keep that caffeine coming.” She handed over her cup.

She wondered how things would have changed for Tom and her if he hadn’t had so damn much self-control that last weekend. She sighed. The relationship could go only one way – away. And not because of sex. Because he wanted something she couldn’t give. Over the last two months she had given it a lot of thought. Did he just need to fulfill that expectation to marry and have children, and anyone would do, or did he really want to spend his life with her? She’d find out soon enough. All he needed was a job. If the “who” was less important than the “what”, she’d be reading about his wedding plans before too much time passed. Maybe she’d be writing the announcement – weddings were in the Lifestyles section. Wouldn’t that be something?

Hilary returned with two coffees and a napkin full of cookies.

“They’re really taking pity on us during exam week. All the sugar you can eat with your coffee.”

“So, do you and George have any plans for the summer?”

“Oh, same as last summer. He’s supposed to come for a visit. But he cancelled once, he could do it again. My parents are beginning to think he exists only in my imagination. He can’t take much time from his summer job anyway. He has to make as much as he can before he goes back to school.”

Kerry nodded. George was taking the full four years to finish college.

“Do you mind if I ask you something?”

Kerry laughed. She had just finished probing Hilary about the intimacies of her sex life, and Hilary’s seeking permission to ask her something?

“What are you really afraid of with Tom?”

The therapist was in.

“It’s not Tom I’m afraid of. It’s what he seems to want out of life.”

“Meaning?”

“He’s programmed to live a traditional life—husband, father, bring-home-the-bacon kind of thing. The very thought of that gives me an anxiety attack. I picture my haggard mother and how miserable she is. You know she told me if she lived in our generation she wouldn’t have had kids, maybe not even married. It’s not that my father isn’t a good man. It’s just that pigeon-holed existence women get forced into when they marry. You see I’m having trouble breathing just talking about this.

“I’ve watched her get more miserable and more phobic with each passing year. Because she’s trapped in a powerless, unfulfilling life. She’s a bright woman. And what has she got to show for it? She’s a wife and mother. Period. I want to make something of my life.”

She took a deep breath.

“You know how I feel about being a wife and mother,” Hilary responded. “We’ve had that talk before. But we also said you have choices. Have you ever talked to Tom about this without automatically shutting him out, like it’s black and white, no gray?”

“Ever the therapist, encouraging open communication.” She smiled fondly at Hilary. “But it’s more than that. Even if Tom were open to an alternative relationship, I don’t want to live my life with him.”

Hilary looked genuinely confused.

“You’re crazy about him,” she exclaimed. “Why would you not want him?”

“I’ve known him since I was in eighth grade. We went through puberty together. We know each other better than most brothers and sisters. God, how boring is that? We’ve already had every conversation. Life with a man with no new layers to peel off? Wake me when I’m dead.”

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